Hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah !!!
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This is part ll movement in Messiah by George Frideric Handel.
Messiah
(HWV 56)
is an English-language oratorio composed by George Frideric Handel, and
is one of the most popular works in the Western choral literature.
George Frideric Handel (German: Georg Friedrich Händel) (23 February 1685 – 14 April 1759) was a German-born British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
After his success with Messiah (1742) he never performed an Italian opera again. Almost blind, and having lived in England for almost fifty years, he died a respected and rich man.
Handel is regarded as one of the greatest composers of all time, with works such as
Water Music,
Music for the Royal Fireworks
and Messiah remaining popular. Handel composed more than forty operas in over thirty years, and since the late 1960s, with the revival of baroque music and original instrumentation, interest in Handel's operas has grown.
Messiah, composed in London during the summer of 1741 and premiered in Dublin, Ireland on 13 April 1742, it was repeatedly revised by Handel, reaching its most familiar version in the performance to benefit the Foundling Hospital in 1754.
The Musick Hall in Fishacre Street, Dublin, where Messiah was first performed.
The work conceived as an oratorio in three parts, which he described as
Part One (18 songs): The prophecy and realization of God's plan to redeem mankind by the coming of the Messiah.
Scene 1: The prophecy of Salvation
Scene 2: The prophecy of the coming of the Messiah
Scene 3: Portents to the world at large
Scene 4: Prophecy of the Virgin Birth
Scene 5: Annunciation of the angels to the shepherds
Scene 6: Miracles of Jesus
Prophecies and birth
No. | Title | Form | Bible |
---|---|---|---|
1 | Sinfonia | Sinfonia | |
2 | Comfort ye, comfort ye my people | accompagnato (tenor) | Isaiah 40 1–3 |
3 | Ev’ry valley shall be exalted | aria (tenor) | Isaiah 40 4 |
4 | And the glory, the glory of the Lord | chorus | Isaiah 40 5 |
5 | Thus saith the Lord, the Lord of Hosts | accompagnato (bass) | Haggai 2 6–7, Malachi 3 1 |
6 | But who may abide the day of His coming | aria (bass) | Malachi 3 2 |
7 | And He shall purify | chorus | Malachi 3 3 |
Behold, a virgin shall conceive | recitative (alto) | Isaiah 7 14, Matthew 1 23 | |
8 | O thou that tellest good tidings to Zion | arie (alto) and chorus | Isaiah 40 9, Isaiah 60 1 |
9 | For behold, darkness shall cover the earth | accompagnato (bass) | Isaiah 60 2–3 |
10 | The people that walked in darkness | aria (bass) | Isaiah 9 2 |
11 | For unto us a Child is born | chorus | Isaiah 9 6 |
12 | Pifa | pastoral music | |
There were shepherds abiding in the field | recitative (soprano) | Luke 2 8 | |
13 | And lo, the angel of the Lord came uopn them | accompagnato (soprano) | Luke 2 9 |
And the angel said unto them | recitative (soprano) | Luke 2 10–11 | |
14 | And suddenly there was with the angel | accompagnato (soprano) | Luke 2 13 |
15 | Glory to God in the highest | chorus | Luke 2 14 |
16 | Rejoice greatly, O daughter of Zion | aria (soprano) | Zechariah 9 9–10 |
Then shall the eyes of the blind open'd | recitative (alto) | Isaiah 35 5–6 | |
17 | He shall feed His flock like a shepherd | duet (alto, sopran) | Isaiah 40 11, Matthew 11 28–29 |
18 | His yoke is easy, His burthen is light | chorus | Matthew 11 30 |
Part Two
(21 songs): The accomplishment of redemption by the sacrifice of Jesus,
mankind's rejection of God's offer, and mankind's utter defeat when
trying to oppose the power of the Almighty.
Scene 1: The sacrifice, the scourging and agony on the cross
Scene 2: His death, His passing through Hell, and His Resurrection
Scene 3: His Ascension
Scene 4: God discloses His identity in Heaven
Scene 5: The beginning of evangelism
Scene 6: The world and its rulers reject the Gospel
Scene 7: God's triumph
Passion and resurrection
No. | Title | Form | Bible |
---|---|---|---|
19 | Behold the Lamb of God | chorus | John 1 29 |
20 | He was despised | aria (alto) | Isaiah 53 3, Isaiah 50 6 |
21 | Surely, He hath borne our grieves and carried our sorrows | chorus | Isaiah 53 4-5 |
22 | And with His stripes we are healed | chorus | Isaiah 53 5 |
23 | All we like sheep, have gone astray | chorus | Isaiah 53 6 |
24 | All they that see Him, laugh Him to scorn | accompagnato (tenor) | Psalms 22 7 |
25 | He trusted in God | chorus | Psalms 22 8 |
26 | Thy rebuke hath broken His heart | accompagnato (tenor) | Psalms 22 20 |
27 | Behold, and see if there be any sorrow | arioso (tenor) | Lamentations 1 12 |
28 | He was cut off out of the land of the living | accompagnato (tenor) | Isaiah 53 8 |
29 | But Thou didst not leave his soul in hell | aria (tenor) | Psalms 16 10 |
30 | Lift up your heads | chorus | Psalms 24 7-10 |
Unto which of the angels said he at all time | recitative (tenor) | Hebrews 1 5 | |
31 | Let all the angels of God worship Him | chorus | Hebrews 1 6 |
32 | Thou art gone up on high | aria (alto) | Psalms 68 18 |
33 | The Lord gave the word | chorus | Psalms 68 11 |
34 | How beautiful are the feet of Him | duet (alto I, II) and chorus | Isaiah 52 7, Romans 10 15 |
35 | Their sound is gone out into all lands | arioso (tenor) | Romans 10 18, Psalms 19 4 |
36 | Why do the nations so furiously rage together | aria (bass) | Psalms 2 1-2 |
37 | Let us break their bonds asunder | chorus | Psalms 2 3 |
He that dwelleth in heaven | recitative (tenor) | Psalms 2 4 | |
38 | Thou shalt break them with a rod of iron | aria (tenor) | Psalms 2 9 |
39 | Hallelujah | chorus | Revelation 19 6, 16, Revelation 11, 15 |
Part Three (8 songs): A Hymn of Thanksgiving for the final overthrow of Death.
Scene 1: Promise of redemption from Adam's fall
Scene 2: Judgment Day
Scene 3: Victory over death and sin
Scene 4: Glorification of Christ
Redemption
No. | Title | Form | Bible |
---|---|---|---|
40 | I know that my Redeemer liveth | aria (soprano) | Job 19 25-26 |
41 | Since by man came death | chorus | 1 Corinthians 15 21-22 |
42 | Behold, I tell you a mystery | accompagnato (bass) | 1 Corinthians 15 51-52 |
43 | The trumpet shall sound and the dead shall be rais'd | aria (bass) | 1 Corinthians 15 52-53 |
Then shall be brought to pass | recitative (alto) | 1 Corinthians 15 54 | |
44 | O death, where is thy sting? | duet (alto, tenor) | 1 Corinthians 15 55-56 |
45 | But thanks be to God | chorus | 1 Corinthians 15 57 |
46 | If God be for us, who can be against us | aria (soprano) | Romans 8 31, Romans 8 33-34 |
47 | Worthy is the Lamb that was slain / Amen | chorus | Revelation 5 12-14 |
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note:The Bible is any one of the collections of the primary religious texts of Judaism and Christianity. The Christian Bible is divided into two parts.
The first portion is called the Old Testament, containing 39 books of Hebrew Scripture.
The second portion is called the New Testament, containing a set of 27 books.
this~ is arranged from Wikipedia & more...
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